Pizza & Post W/ Sound Designer Sandy Berman

April 14th, 2009
Video Symphony presents 
“PIZZA & POST”
With World Renowned Sound Designer Sandy Berman

Tuesday, April 28th
7-9PM @ Video Symphony
266 E. Magnolia Blvd. Burbank
FREE 

This month we’re proud to have Sandy Berman, a world renowned sound designer who has spent the last 25 years literally redefining the art of sound in motion pictures. Unless you’re enrolled in our Pro Tools Program, you probably don’t get very many chances to gain insights into the often-neglected but immensely important world of sound design– so don’t miss this opportunity to hear from an audio pro. 

Sandy Berman is responsible for some of the most innovative and creative uses of the medium in a wide variety of films such as “THE PRINCESS BRIDE”, “GET SMART“,“BEDAZZLED“,“SCARY MOVIE“,“DOUBLE JEOPARDY“,“ANALYZE THIS“,“ALADDIN“,“TOMBSTONE“,“HOT SHOTS!“, “JAWS 3“ & “JFK“ (for which he received the British academy award) to name but a few.

He just completed sound design work on the feature films, “OBSERVE & REPORT” & “PUBLIC ENEMIES” and he also was the picture editor on John Mellencamp’s new video “A RIDE BACK HOME”.

He has provided the sound design for the theater productions of “INTO THE WOODS” & “THE WAY OF THE WISEGUY” written & directed by “Crash” writer Bobby Moresco.

Sandy is also an accomplished musician who has played & recorded with a diverse list of artists such as Bruce Springsteen, James Brown, Chuck Berry, Hall & Oates, Junior Walker, Jerry Lee Lewis, Duane Eddy & even “Weird Al” Yankovic .

He serves on both the Executive Committee & the Rules Committee of the Academy of Motion Picture Arts & Sciences, is a voting member of the National Academy of Recording Arts & Sciences & is a past president of the Motion Picture Sound Editors. He currently lives in Los Angeles. 

“Pizza & Post” is a great opportunity to gain new insights, ask a few questions, network with your post-production peers, and as always, eat a lot of pizza.

This event is free and takes place from 7PM to 9PM at Video Symphony TV & Film School, 266 E. Magnolia Blvd., Burbank, CA.  There’s free parking in the adjacent parking garage (entrance at 239 E. Palm St., one block east of Magnolia).  Seating is limited, so kindly RSVP to RSVP@VS.EDU.   Let us know how many will attend – the event is open to the public so you can bring interested friends or associates.  Your RSVP holds your seats unless you hear back from us that the event is full.

Sprockets to DI – A Candid Discussion about Feature Post Production

April 11th, 2009

What: Sprockets to DI – A Candid Discussion about Feature Post Production

When: April 30, 2009 7:15 PM

Price: $5.00 per person

Where: Click the link below to find out!

Meetup Description: Please join us at the next Get Lit event which promises to be informative and exclusive. I say exclusive because the members who actually show up to this event will get to hear candid and true stories from big budget Post Production Supervisors who are working with A-List directors and other talent. They have graciously offered to share some of their trade secrets on what it takes to finish a film for all types of distribution and the ways you can save money when working with a Post Supervisor.

It has been taught in many different ways that the best way to control your post-production budget is by preparing for the delivery requirement in pre-production. But how do you budget for a 35mm filmout if you don’t know whether or not you will get a theatrical release deal? How much does a digital intermediate cost nowadays and what are the pitfalls with distribution if I shoot digital? If I spend $1000 a week on a post supervisor during production will it save me that much money or more on the delivery requirements when I sell my film? These are the questions I plan on asking and I hope you are as serious as I am about attending this event to get the real answers.

Free parking on Sunset Blvd after 7:00pm
The $5 dollars goes toward food and drinks and I guarantee your hunger for food and knowledge will be satiated.

Learn more here:
http://www.meetup.com/GetLit/calendar/9903248/

NAB

April 11th, 2009

http://www.nabshow.com/2009/eventInfo/schedule.asp

The countdown to the 2009 NAB Show has begun, and I’m sure you’re busy gearing up for yet another exciting year!

The passcode that will give you free access to the opening keynote and the exhibit hall is still good and will save those who register online $150! 

Here’s the information for you again:

Free Exhibits Passport Code: TP01
This pass includes access to the exhibit floor and the opening keynote – a $150 value.*  Please pass along and visit http://nabshow.com/passport to redeem!

*One thing to note – the passcode can also be used when registering on-site; however, there is an additional $20 fee that will be charged.

This year and especially in this environment, the NAB Show may have more impact than ever before.  At a time where businesses everywhere are seeking some positive momentum, this is an event that helps provide it.  With the help of industry influencers like you, we’re driving real BUSINESS – over $50 billion in sales!

Whew! or How Seminars, Expos, User Group Meetings and the Internet Add Value to Your Edit Suite.

April 9th, 2009

Okay so I was just on the Digital Production Buzz with Larry Jordan and Michael Horton.

It’ll be archived for anyone that wants to listen to it here: http://digitalproductionbuzz.com/Archives/

Here’s what I wanted to say but couldn’t quite get out in six minutes:

How do we find bargains for our editing studio equipment?

That’s a great question!

Well Larry, I want to discuss how Seminars, expos, user group meetings and the Internet add value to your edit suite.

The first thing is Knowledge.  The more you know about the items you need or want to buy the better able you are to make wise decisions when it comes time to actually make a purchase.  

For example, before I ever bought a mac or final cut pro, I first researched what editing program I wanted to use.  I talked to filmmakers I knew, I spent many, many hours researching both Final Cut and Avid on the Internet.  Having decided what program I was going to eventually use, I still didn’t buy the program.  I looked for classes on Final Cut and found that my local community college had one and I took it.  It was in that class that I actually learned what other components I would need for a studio.  

But still I was patient.  I didn’t have the money to buy a mac, yet alone Final Cut Pro but I continued to learn more and more about each.

That’s the second point, patience.  I believe that you can get pretty much anything you want at the price you want, if you’re patient enough and you are diligent in looking.  I once bought a tape lecture called “Everything is Negotiable”.  You know what?  I never listened to the lecture.  The title was enough for me.  I just go about life with that idea.  Everything is negotiable, you can get what you want if you are patient and put yourself in the position to find it.

Did you ever look for a four-leaf clover as a kid?  You know what? You won’t find one if you don’t look.  I looked and lo, I found one.  Not everytime, but I’ve found a few and that is what finding a deal on a piece of equipment is like to me.

You gotta know what your looking for, be patient and actually look!

(A little more on knowledge: Overall knowledge of your subject can always be improved and for me, I spend a lot of time going to Expos [like HD Expo/Createasphere], Seminars, Meetups, User group meetings [like LAFCPUG], and I most always learn something new.  In fact, I was surprised that I knew more about the Silicon Images’s SI-2K camera than a Moviola camera rental rep, last night.  All because I had just seen it demoed and talked about at another event, two weeks ago. Of course he knew a LOT more about EVERY other camera out there and a TON about compression and data rates of the different cameras and so, I did learn things from him.  But the point I want to make here is raffles and door prizes!   For example, in the last year I’ve won over $1700 in software and training DVDs just by going to LAFCPUG meetings!  I buy $10-$20 worth of raffle tickets each time I go but the education I get each night is worth that alone!!!)

NOW that’s all very nice but the next obvious question is WHERE to look.

Where do we look to find bargains?

I’m going to just talk about Internet sites to go to tonight but you can expand on these to other resources in your own local areas.

First, an easy one is EBAY.  I bought a $5,000 camera with an additional $4,000 worth of accessories on ebay from a director in TX for $5670 shipped.

Directors and Independent producers buy things sometimes instead of renting and then sell off the equipment after the job is done.

Some people are affraid to buy on ebay and I understand that fear but I did an experiment once with ebay and I almost lived entirely off of it.

I found my house, store front, car, moving truck and sold stuff off of ebay as my sole income for a year.  I’ve been a power seller three times over.  I just could not find groceries on there!!!! hahaha

Sure it was still scary sending $5,000, plus, to someone I’ve never met, but I did some things before-hand to settle my mind: I called the seller, we had many conversations before I committed to the buy.

The next is craigslist.org. This is an amazing resource.  One thing though that I’d like to mention about buying software and goods on ebay and craigslist.

Don’t buy pirated software or stolen goods.  If it’s really TOO good of a deal, then it’s probably one of the above.  Don’t do it.

That’s my third point, Ethics.  I did eventually buy my first Mac and FCP but the only way I would was if the SW was ligit.  I repeat, THE ONLY WAY I WOULD.

Call it Karma or whathaveyou but what goes around comes around and if you are out there always doing good, good things (and deals!) will come your way.  

If you’re into stealing, prepare for a tough life, Man!

Hey, I want to make my living with movies so I’ll never ever download pirated movies.  You know what I mean? That’s just Bad Juju!

Now on craigslist is where I bought my first Mac, it was a G4 but not only was it a Mac that had ligit Final Cut Pro studio ONE but I bought, practically a whole studio’s worth of equipment from an independent studio in Hollywood.  The original bill for the setup, which he had with all recepits was like $50-60,000.00
 and would you like to guess what I paid for it?  $1500.

Now that isn’t a once-in-a-lifetime deal, I’ve seen whole setups go for free.  You just have to be on the lookout for ‘em.

The thing that gets me is having to pass on deals. I passed on a NEW Mac-Pro with Final Cut Studio and 4Gs of Ram for $1000.  That one bothered me, still does.

But I know that if there was that kind of a deal once, that it can happen again.  So I bide my time, mwah-hah-ha!!!

Couple more points, social networking.  I just bought an HV30 and Redrock M2 35mm adapter and handheld kit with a canon lens off a twitter “friend” for $1000 shipped.  That’s like getting a free HV30 and Redrock Micro micro Shoulder Mount.  Can’t complain about that!

So to review:  Knowledge (know what you’re buying), patience (be willing to wait to get it), ethics (karma, Man!), networking (Really this means communication, get to know people) combined with raffles, door prizes, SWAG and eBay and craigslist.

If I’m going to buy a book online, I look at at least three places (Amazon, ebay, half.com, and maybe buy.com) I most definitely will Google it.  Yeah, don’t forget Google is your friend, from computer problems to finding deals, use Google liberally!

On top of all of this, you’ll probably find work.  I don’t think there is anything, editing equipment-wise, that I have bought that hasn’t also lead to a conversation about what I do and an eventual contact for future work.  After all who’s selling editing equipment?  Editors! or their bosses!

Great People I Met Yesterday and the Night Before

April 9th, 2009

I started the day by looking at a “live” event production truck. A great deal, but it’s mostly standard definition equipment. I’m still considering it but I have to justify the costs. Maybe someone will partner up with me.

Next, I met up with a twitter contact who was in town from Baltimore, http://stratatekstudios.com. I met with Charlie Anderson. He was in L.A. for a couple reasons, a shoot for Under Armour and a premiere of a feature he shot. We exchanged stories or how we got into what we’re doing and where we want to end up. Check out his work and hire him if you need a DP or RED tech.

Next I was off to Allied Post Audio in Santa Monica for their monthly LAPPG meeting. Woody there runs a top notch shop and has an awesome post production meeting. It’s by RSVP and limited seating, so you have to be quick or you won’t get a spot.

I arrived early to volunteer and help setup for the event. Jesse, an intern there, who is going into USC’s Directors Master Program, (now there’s someone you should get to know, was there and he explained what he was up to. It was nice to get a young perspective of the industry. Quite refreshing. Also there were Candice and Wendy. All great people.

Soon Wes Plate, founder of Automatic Duck arrived and I explained that I had so many of his keychains that I felt obligated to follow him on Twitter.com. He said to check out the video on the site about how they’re made. It’s here: http//www.automaticduck.com/keychains/ , well it’s supposed to be :(

Wes gave a great presentation on all their products. I learned a lot about Avid, FCP and AE workflows.

Before he went on, Aaron McNally from Moviola presented and I learned a LOT about compression and video capture of cameras. Really wish I would have recorded that presentation. It was that good.

Before the presentations and during the breaks and after the meeting I meet the following great people:

Von Thomas, of Digital Tech NYC/LA a new Red One owner and renter of such.
Kent Luck, independent editor
Jay Miracle, editor of Hearts of Darkness documentary — BTW, Jay is looking for a great titler for a non-profit gig, an hours work. Let me know if you’re interested….
Heather Konkoli, Producer of TV Guide Channel’s InFANity show.
and David Buller, a promo editor for Fox TV.

Tuesday night I met Marty over at Brins & Sawyer. She’s great too.  I highly recommend their store!  Service is awesome.

Share photos on twitter with Twitpic

Share photos on twitter with Twitpic

Catch Me On the Radio (Podcast)

April 8th, 2009

Hi All,

I hope everyone is doing well.  This Thursday, I’ll be on The Digital Production Buzz, a video production, post production and distribution  podcast.

http://digitalproductionbuzz.com/LiveThisWeek/

There’s a live on-line chat during the show too.

So tune in!

Larry Jordan Is All The Buzz At NAB and Why You Should Know Him

April 2nd, 2009

My first introduction to Larry Jordan was a just over a year ago at the March 2008 LAFCPUG Meeting when Larry gave a “Converting HDV to ProRes 422 – and why you want to” demo. It was a fantastic demonstration and communicated clearly and precisely. Larry’s communication skills carry over to a variety of media.

Larry is the quintessential FCP guru having authored a few books on the subject and countless tutorials and articles. He puts out a monthly newsletter STUFFED with Final Cut Pro and related information. (Sign up for his newsletter here: http://www.larryjordan.biz/nxlttrs.html.) He also is the voice of the Digital Production Buzz, a weekly podcast on digital production, post production and distribution.

Larry Jordan travels the world with his Power Up with Final Cut Pro seminars and they grow every year. Luckily for us in Southern California, he spends a lot of time here and there are a lot of classes to attend. If you’re looking for a class to take on FCP, I would highly recommend you check his class schedule here: http://www.larryjordan.biz/training/index.html) and find one to attend. In fact, if you’re not 100% satisfied, there is a money-back guarantee. You can’t beat that! If you can’t make one, maybe order a DVD or book.

The worth of the Digital Production Buzz has been noticed by NAB and they are the official podcast for NAB. You can (should be able to) get them below:

NAB News Briefs (April 18-23, 2009)

Digital Production Buzz

Add this player to your site!

BuZZ Shows (Ongoing)

Digital Production Buzz

Add this player to your site!

RED Scarlet and Apple Final Cut Studio 3 to be released at NAB?

April 1st, 2009

Being a So. Cal man, the closeness of Red headquarters finally got the best of me and I made a trip to Lake Forest, CA in hopes to get first-hand looks at the goings-ons.

After all, Jim Jannard stated yesterday (http://reduser.net/forum/showthread.php?p=396316#post396316) that new developments for the Scarlet and the Epic were afoot and some of the details would be released at the Red User NAB party (http://www.redusernab.info/).

While I was there I stumbled upon a few secrets….

Those of you familiar with my blog and relationship with Ted from Red will understand how I was able to pierce the veil of secrecy, so tightly wrapped around the RED compound.

I’ll just cut to the chase:

First was that RED was working very closely with Apple on a new codec that would blow ProRes and Redcode out of the water and that that codec would be included in Final Cut Pro 7, the major component to Final Cut Studio 3.

Next, while there has been much talk about Apple and RED dis’ing NAB, they were both going to be in LV.  RED to be at the REDUSER Party and Apple at the Final Cut Pro User Group, where each company would unveil their much anticipated products.

As you may have deduced by now, I wasn’t supposed to come across this information and a chase soon ensued.  I don’t know why all of my dreams worth remembering include chase scenes but they always do.  With a quickened heart pulse, I awoke and realized that not only was I dreaming but that it was also…

April Fool’s Day!!!!

Two Things From The LAFCPUG March Meeting I Think You should Know About

March 27th, 2009

First is iMovie 09.

The presentation by Final Cut Pro, Premiere Pro and iMovie creator Randy Ubillos was really outstanding.

It had long-time Final Cut Pro gurus ooing and awing and asking, “Can you put that on Final Cut Pro?”

If you don’t already have iLife 09, I would highly recommend getting it.

iMovie 09 has some incredible features like animated maps (which used to cost thousands of dollars or crazy amounts of hours to achieve) and instant filters and transitions.

iMovie 09 was designed (really) for prosumers using formats like HDV and AVCHD. You can also output to FCP XML, so if you need a way to convert your AVCHD, this is a good solution.

iMovie has additional “detail” editing, which lets you dig down a little deeper into a timeline-like screen. It allows you to easily throw something together or get as fancy as you want to be.

See http://www.apple.com/ilife/imovie/ for more details.

Next is an incredible announcement from Maxx Digital regarding Final Share.

Did you know that it IS possible to edit compressed HD (ProRes422HQ and DVCProHD) on a regular old iMac and playback the footage on a networked MacBook laptop? Not a MacBook Pro, mind you, just a Macbook.

That’s right, you can create a shared SAN storage system on a G5 and have 20 cheap-o iMacs as workstations sharing files.

“Holiday-whosie-whatsit?”

The folks at Maxx Digital and the “big” brains at Small Tree have figured out a “loop hole” that makes this possible. And it’s a CHEAP solution.

And you know I like that word!

Bob Zelin, a well known Creative Cow moderator and video engineer, flew in from Florida to share the news to the LAFCPUG on Wednesday night. The system is called the Maxx Digital “Final Share”. The complete Final Share system basically requires a stand-alone G5 Mac Pro, a Small Tree four-port Gigabyte network card, a 24-port switch and a RAID disk system. That and a few OS X network setting tweeks and you’re good to go.

It’s a little bit more technical than that (but not really) so I won’t go into too much detail right now. I’m going to review the demonstration footage later and try to layout the exact details but for now consider that you can have a great networked solution for around $5,000 – 6,000.

Also, here’s the homework if you want to learn more:

LAFCPUG Meeting Agenda (currently here: http://www.lafcpug.org/user_schedule.html but will probably later be here: http://www.lafcpug.org/past.html#anchor2009) states:

“7:50PM – 8:25PM – Final Share – Bob Zelin

“Video Engineer Bob Zelin is flying into LA to show off Final Share from Maxx Digital. What is Final Share? From Bob:

“I will be discussing and demonstrating Maxx Digital Final Share. Final Share is a very simple shared storage solution for Final Cut Pro that works with uncompressed SD and compressed HD (ProRes422HQ and DVCProHD). The appeal of this product is that it is very inexpensive, and requires absolutely no management or administration once it is setup. It uses conventional ethernet cables, instead of fibre connectivity. The only software interface is Apple File Sharing. There is no custom software, nor are there any client “licenses”.

“Maxx Digital will provide a MAC Pro Server with a Maxx Digital Disk drive array, and a second MAC computer that is running Final Cut Pro, in addition to the specialty ethernet equipment that makes this stuff work. With this equipment, I will be able to demonstrate playback of RED camera footage at ProRes422HQ footage over an ethernet cable. I will bring along my MAC Book laptop, and be able to instantly demonstrate being able to connect my MAC Book to the shared storage system, and be able to playback full ProRes422HQ footage right on my laptop. I will invite anyone who would like to bring up their MAC laptop to the stage to be able to instantly connect to this system, and play the same footage. All I have to do is go into System Preferences>Network, and assign a static IP address for that computers ethernet port.

“To my knowlege, this is the first time that anyone can have shared storage for very little money, and absolutely no education on complex networking, SAN enviornments, or IT background. ANYONE can do this. And it’s cheap!”

Then go to these links for more info:

* http://maxxdigital.com/shop/index.php?cPath=117

* http://forums.creativecow.net/readpost/257/110

* http://blogs.creativecow.net/blog/794/high-speed-san-via-ethernet-its-true

* http://library.creativecow.net/articles/biscardi_walter/media_san.php

If you want to talk to a Maxx Digital representative to get hooked up, call 714-374-4944 and don’t forget to tell them that Quintessential Studios told you about ‘em!

LAFCPUG Meetings are filmed and available for video podcast via iTunes. Check http://www.lafcpug.org/About_klickTab.html for more info.

What’s All The Buzz About NAB?

March 26th, 2009

If you’re just into film, you might ask yourself, “Why would I be interested in the National Association of Broadcasters?  Although for a lot of editors, their work is in broadcasting.

Broadcasting covers a lot of ground.  The term itself has come to have many meanings.  Normally people consider it to mean radio and TV transmissions.  NAB Executive VP, Chris Brown, on a recent Digital Production Buzz interview explained that the NAB show has expanded to now include New Media.

A look at the NAB Super Sessions (http://www.nabshow.com/2009/education/supersessions.asp) shows that there are ones dedicated to such topics as: “Creating in the New Media Landscape”, “Mobile Video”, “The New Content Paradigm”, “Cool Gadgets, Hot Content” and “Generations – Media Consumption Habits and Preferences”.

NAB this year is so big that it is in four buildings comprising 900,000 square feet of exhibits! I love trade shows and especially ones that are about things I love. This event sounds like and amazing event. It’ll be my first and I’ll give a complete report on what I was able to see, when I get back from it! I will, of course try to twitter updates while I am there. (http://twitter.com/quintessential)

New areas at NAB this year are the 3D Pavillion and the Content Commerce Pavillion. You might be interested in the Post|Production World Conference at this year’s NAB Show which is April 18-23 in Las Vegas.

Have you ever been? For a taste of what the 2009 NAB Show has to offer, check out the Post|Production World Conference details, including 7 different Adobe, Apple, Avid and Mac Certification Courses: http://www.nabshow.com/2009/education/postproduction.asp. Man there is a LOT to this show!

In an effort to help people out in these dire economic times, the NAB show has given out a promo code for free exhibit passes which includes entry into the Keynote address: NAB Free Exhibits Passport Code: TP01 Please pass along and visit http://nabshow.com/passport to redeem! This is a $150-$200 value! You could use your savings and upgrade to see some great sessions!

I’ll be there. Hope to see you there as well.