Two Weeks In. How’s Your 2012 Shaping Up?

January 14th, 2012

Okay, so I promised to write here more often and here’s another post to help keep up with my word.

It’s already been two weeks and it barely feels like two days!

I’ve had one photo-travel getaway, had a couple of great meetings, and I almost have all the Christmas decorations put away.

I tweeted this the end of Dec: “If ‘writing is rewriting’ and ‘editing is re-editing’, I’m going to ‘invent’ myself in 2012.” I think for me, at this point, that that means I’m going to try to really define what goals I want for myself and define, more clearly, who I am. Existentially, that, really, always changes but for this phase of “me”, I am deciding to give myself some more clearly defined “boundaries”, let’s say.

Hmm… yeah… so I guess this post is really about how as much as I want to be defined, I am always well aware that life is a “globulous” organism, constantly in flux. I’ve heard it said, “You never know which road you’re on” when it comes to career. You may start out doing one thing and never realize you’re going to be heading down a path to do another thing, that you’re going to completely enjoy but that you’ve never heard of before.

Having said all of that, let me start to define who I am. By “who I am”, I mean in the working sense. This has no bearing on what kind of person I am (necessarily), my family life nor my political views (I hate talking politics, BTW), etc. I am an editor. This itself has many definitions and is my favorite label. I am a producer. I founded and run a filmmaking usergroup. I am a student (on many levels, career and life and I consider this under the term “life-long learner”).

Now that it’s clear who I am… crystal, right…? I will try to keep my future posts related to the above four labels. (Note: “editor” label will include the occasional VFX, colorist, audio, etc. [anything post related really] topics and “producer” label may include various filmmaking topics.) I have many adventures planned this year. I hope you’ll join me.

Goodbye 2011, Hello 2012

December 31st, 2011

I guess I’m pretty lucky. 2011 wasn’t that bad for me. Looking over the news and a lot of Facebook posts, people are really looking forward to saying goodbye to 2011 and hoping that 2012 will be much better.

I do hope 2012 is much better for everyone. I also hope it’s better for me too, better is better, right?

I won’t say everything was great in 2011 because not everything was. Life is a pretty rocky road. You get dealt good and bad and hopefully, you have the ability to stand the bad. I seriously don’t know how some people move on from tragedy. I’ve heard it said that some lose something in their face, it becomes a little less bright or they wear their sadness there. As I get older, I feel like that slowly happens to me as well. At times, I can’t imagine living past a certain age. I thank my family for giving me the greatest reason to carry on, to enjoy seeing change and growth in their lives.

I live my life mostly in the pursuit of helping others but I also try to do as much of that through doing what I love to do too. Quintessential Studios was formed with some grand ideas. I envision a huge facility of video and audio recording and editing stages and bays. I think of it as a co-op sort of situation where the community comes and is able to take advantage of space, classes, etc. I make moves to push Quintessential Studios in this direction as much as I can, little by little. Currently we are an “independent production company” and as so, we are doing a little more each year. 2012 should be a really good year for that side of things. I also try to build the local filmmaking community by running Independent Filmmakers of the Inland Empire. We’re experiencing growth in that area and I’m very excited for 2012.

We have 10 meetings scheduled for 2012 and one super duper party planned for 15 April in Las Vegas during NAB! Hope to see you there!

Thank you to everyone who helped make my 2011 what it was and I hope you all have the best year ever coming up.

I will do my best to make it a great one. I look forward to more interaction with more people and growth along all areas. I’m really seeking some life balance this year and so far things are shaping up to be, mostly, great.

I’ll post more here too, I promise….

Why Join a User Group

July 8th, 2011

Do you have an interest that is shared by many or by a very rare few?  Perhaps you like photography.  That’s a big subject with a large fan base.  Perhaps you like to keep African Killifish.  That’s has a bit of a smaller appeal.  I, myself, have had various interests in my life (the above subjects included!) I’ve had more hobbies than years of my life.  I guess you could say I get bored quickly.  More than that, I get very interested in things, very easily.  Life interests me!

In the “good old days”, if you wanted to find out more about something, you’d go down to the library, check out a couple books on the subject, read up on it and give it a go.  Additionally, you could find a local store that specialized in that sort of thing and chat with the store owner for hours at a time.  The later worked very well if it was a popular activity, like tropical fish or photography.  It also helped in being able to get supplies for said hobby or future business idea.  I always seemed to want to grow whatever my hobby was into some sort of business venture.  I guess that is the entrepreneur in me!

I once saw a program on TV about this twelve-year old millionaire and he started with a pair of hamsters!  (Yes, I even tried to raise hamsters too!) I mean isn’t that what they say, “If you want to be happy, do what you love for a living!”  (I’ve also had more jobs than years of my life!)  But, I AM happy!

There have long been magazines on just about every subject too.  Sometimes, you’d get lucky and there would be a local club related to the subject of your interest, as well.  This adds a whole new level of enjoyment and education to your hobby/business interest.  I have been involved with a few different clubs in my past as well.  Heck when I was ten, I started the Riverside Tropical Fish Club.  There were only three members but I even managed to get a sponsor to donate free samples of fish food and water conditioner to the club.  After that win, I tried, unsuccessfully, to get a donated remote control car to my bright idea of a club, “The Riverside R/C Club!” Oh well! You can’t blame a kid for trying!

So, I guess you can say I’ve had a long history of starting groups.  It’s one of the best solutions for loneliness that I know of!  Join or start a group!  At the very least, you’re going to meet some cool people with the same interest as you.

A “user” group is a group of people that share an interest in “using” some thing, usually a piece of software or suite of software.  There are computer user groups too, like Mac User Groups or PC User Groups.  They are usually put together so that you can learn to use that particular thing better or to get new ideas on how to use it.  There are, for example, graphics user groups who cover creating things with graphics programs like After Effects or Cinema 4D or Maya or something similar.

One of the benefits of a user group is that with the combined membership, you have clout.  You have more clout than with just yourself.  Companies in the field want to communicate to your group and know that a group will benefit their business in many ways.  This is so true that they often give stuff to the group, like prize giveaways and big discounts.

More than the above points, user groups are just a lot of fun!  Meeting people with the same interests, talking about projects, networking, getting new ideas, etc. are some of the great aspects of being a part of a user group.

Currently, I am signed up with lots of filmmaking related user groups and attend three or four on a regular basis: Los Angeles Final Cut Pro Users Group, Los Angeles Post Production Group, Southbay Filmmakers and Digital Media Artists Los Angeles to name a few.  This is in addition to the filmmaking group that I run myself (Independent Filmmakers of the Inland Empire, “IFIE”).

Each meeting or meetup I attend is great.  Very nice people are there and we all share a passion for what we do.  I can’t say enough about networking.  The bonds from a user group are usually a lot stronger than ones made “on the street”.

I see all kinds of people at user group meetings, from ones who just come to see the presentation and never talk to anyone to those who have their core friends that they meet there to those that are really good at meeting lots of people and engaging many conversations.  So, whoever you are, there’s a place for you there too!

My own group uses a lot of different things.  So, I have set out to make it an official user group for whatever products we use.  We are an official Avid User Group, an official Adobe User Group, an Apple User Group, a Focal Press User Group, a Peachpit User Group, an O’Reilly User Group and a Sony Vegas User Group.  Each of these designations has its own unique benefits.  All of which translate to a better user group experience.

User groups usually have a set meeting date and time, say the first Wednesday of the month, like mine, from 7 to 10 PM. Some are very strict with their schedule and start and end on time and others are a bit more lax and tend to go over, like mine!  I think the only problem I have is that I want them to go on longer.  Some groups have after-meeting get-togethers, like over pizza or beers or a late night Denny’s run, for the hard core members (who don’t have to be home so soon). Some are held AT a pizza place!

They also usually stick to a basic format, say some networking or introduction time, announcements, presentations of various sorts and then a raffle or auction of some sort.  The prizes are sort of an enticement to stay till the end, usually.

Like the good old days, we still have the options of the library and the local store owner.  But unlike the old days, we have all kinds of new ways to get information.  The Internet has helped tremendously, not only to look up information regarding your interest but also to find user groups to join!  Meetup.com is a great place to start looking.  If any of the above sounds appealing to you, I recommend finding a user group near you to join.  Not only join, but attend the meetings and functions.  You’ll have a blast.

My impression of In the Cut: Employing the Art of Editing Seminar by Thomas Ethan Harris at the Egyptian Theatre

March 11th, 2011

My impression of In the Cut: Employing the Art of Editing Seminar by Thomas Ethan Harris at the Egyptian Theatre 2/17/2011

Part I

It’s hard to convey the sheer brilliance of the seminar a lucky few of us had the chance to attend last night.

I’ve seen glimpses of this type of information, namely in two places, Peter D. Marshall’s directing course and in an introductory speech by Professor Daniel Jacobo from Chaffey College on the Tao of Super 8.

Granted I have not attended any film schools nor have I studied too in depth in regards to film theory, but I would agree that this type of expertise could probably be gotten at any film school, through lots of diligent study, but this night we were treated to an intensive course in intelligent filmmaking through exposure to some great scenes and lively discussion about the particular editing techniques used (or not used).

As a fairly new editor and filmmaker, I was completely unaware of the insidious disease that has been being transmitted to the youthful filmmakers of my and the upcoming generation of filmmakers, the infectious disease of (actually less-than) mediocre filmmaking.

It didn’t take long to discover that I and thousands of “filmmakers” the world round were engaging in unsafe activities and further propagating the existence of such deadly things as “mumblecore”!

It was nice to get professional treatment right there on the spot, in this make-shift “clinic”, the Steven Spielberg Theatre at the Egyptian. An “inoculation” directly applied to the filmmaking wound of mediocrity that is festering and infecting the future of filmmaking.

“Dr” Thomas Ethan Harris not only provided emergency treatment but also provided education to help us prevent future outbreaks….

To read more go to http://bit.ly/frdpmN

2010 My Year in Review, or How IFIE Saved My Life

December 18th, 2010

At the end of 2009, I felt kind of alone, in regards to filmmaking.  The people involved in the projects I’d been a part of, kind of went off to do their own things and I was left in a creative void.  In fact, it was quite a deep, empty void, for me personally.

I felt deep inside that it was my own fault that people were disbanding and I’d even had some harsh words to some.  I felt regret and remorse in my heart and, honestly, felt very near to ending it all.

That probably isn’t a very positive PR thing to admit, but I feel that maybe I should talk about it because there may be other people out there, who might be experiencing similar thoughts.

One particular day, as I was leaving school, almost with the intent to end it all, I decided to visit a friend. I figured I’d kind of get some things off of my chest and start to make my rounds, to tie off the loose ends, so to speak.  I also knew in the back of my mind that communication was always the key to solving problems, so it might help me out of my doldrums too.

I guess, luckily, he was home.  We talked about random things and eventually got around to how I wished I had had more filmmakers or people interested in filmmaking around, people who want to learn the things I wanted to learn and shared the same passion for it as I did.

We talked about successful groups that we had each been involved in, groups of all types, beer making groups, tropical fishkeeping groups, etc.  There were some things that each had in common.  Just having someone to listen to me, helped.  Talking about those groups, sparked something in me.  I decided to create a filmmaking enthusiasts group (and subsequently, to put my death plans on hold.)

Honestly, I didn’t care if it was just a bunch of people who wanted to get together once in a while and drink coffee and talk filmmaking.  The point was to have a group, some like-minded folks to be around, to build comradery.

I started to promote locally to see if I could garner any interest.

Jan 5th, I got six people to join me for coffee.  Everyone there was very interested in starting a group and felt that it was definitely a needed and worthwhile venture.

I decided to front up the money to put the group on Meetup.com and went to work promoting the hell out of the group.

Over the last eleven months, we’ve grown to over 300 registered members and a good average of 50 people in attendance to our monthly meetings.  We have over 30 sponsors and lots of support from various other groups and organizations.  I truly do plan to take this to an even higher level next year.

Our end of the year/one year anniversary meetup/”mini-expo”, while not as big as I’d planned, was quite a success overall.  It was held at the UC Riverside’s Barbara and Art Culver Center of the Arts.

We had presentations from Douglas E. Welch, Maxon Computer and Avid.  We gave away nearly $6,000 in prizes. Everyone seemed pleased.

If you are interested in joining IFIE, please sign up here: http://IFotIE.com

Quintessential Studios Action

Production wise, I’ve been still shooting B camera at LAFCPUG meetings, completed some marketing videos for a chiropractic marketing firm and some of their related services, covered a couple events, shooting stills and video and even did some shooting at a cousin’s wedding. (“I don’t do weddings”, BTW.)

I’ve helped produce/fund a couple of independent crowd-funded films: ‘Invasion of the Not Quite Dead’ and ‘Solomon Grundy’.

I’ve attended MANY industry expos and conferences and even was a technical adviser and cameraman for one (paid).

In October, I produced a live shoot for the band Pandemic Unleashed.  One of the videos can be seen here: http://www.facebook.com/video/video.php?v=180094208668072&oid=197727010181

Educationally, I’ve completed three more college classes this year: Sound Recording in Media, Advanced Editing (FCP) and TV Studio Equipment.

In Summation

People can become depressed for many reasons.  That’s part of life.  It’s not a chemical deficiency.  It’s a lot of things.  The main thing that IS going to help them, though, is communication and understanding.  Be there for people and listen.  My friend saved my life and he doesn’t even know it.  I’ve decided to take the time to be interested in others and to help see them through to reaching their goals in life.  Actually, I’ve kind of always been that way.  I just wanted to point out that you do matter and we can help each other out, every day.  And, a little goes a long way.  So, thanks for being interested in what I do and say and I hope I am able to return the favor!

Conference offers networking opportunities for local filmmakers

September 4th, 2010

A premier expo for filmmaking is heading to the Southland this September, the Digital Video Expo.

The DV Expo (www.dvexpo.com) comes to the Pasadena Convention Center Sept. 28 – 30.

The expo is comprised of a conference and exhibits. The conference includes education, some free and some that costs extra. The exhibit hall is open to all and a free exhibit hall pass is currently available.

Free exhibit hall passes and early bird pricing is available now and up until Sept. 11th. There is a discount code for add-on conference events as well. Discount code to use for that is “IFIE”. That saves you $50 in addition to any other discounts.

Expos are a great way to learn about the current equipment that’s out there and what’s coming and a great way to try things out, hands on. Many times you are face to face with the heads of the companies, themselves. Suffice it to say, the people representing the products at the exhibit hall booths are highly knowledgeable and can answer any questions you may have.

Some free education and presentations that can be found there are lighting master classes, “The New Now — Surviving the Changing Business of Production” along with first Looks at Panasonic AG-3DA1 3D camcorder and Canon XF305 and XF300 camcorders.

There are also meetings of industry groups such as the Los Angeles Final Cut Pro Users Group, International Digital Media Alliance, Digital Cinema Society and the Los Angeles Post Production Group. These are great opportunities to meet and network with working professionals in the film and TV industries.

The Independent Filmmakers of the Inland Empire will be there checking out all the great exhibits and taking in many classes. So, it would be a great opportunity to network with some local filmmakers as well.

Independent Filmmakers of the Inland Empire is Now an Official Adobe Users Group and a Peachpit Publishing Partner

June 27th, 2010

In addition to having many sponsors and a rapidly growing membership base, Independent Filmmakers of the Inland Empire (http://IFotIE.com) is now an official Adobe User Group, given the moniker Inland Empire Media Users Group on their groups site (http://inlandindiefilm.groups.adobe.com/).

Please join us there and our meetup group and help build a stronger support base.

We are also a Peachpit Publishing Partner and that means a great discount on Peachpit Press books!

How Zombieland’s Independent Approach Can Help Filmmakers Save Production Costs

April 14th, 2010

As a part of NAB Show’s Broader-casting sessions was the panel “Big Idea, Small Budget: ‘Zombieland’s’ Production Innovations”, produced in association with Film Independent.

Digital technologies are providing filmmakers many more opportunities to create larger scale blockbusters on a much lower budget. Since we discuss digital filmmaking here on this blog, this panel was right up my alley!

Moderated by Josh Dickey, Deputy Editor of The Wrap, this panel was composed of Panelists:
Maher Ahmad, Production Designer, Zombieland
Michael Bonvillain, Cinematographer, Zombieland (not present)
Paul Linden, FX Supervisor, Zombieland
Ruben Fleischer, Director, Zombieland

To start off, the budget of this film was $21 million dollars. This is actually small for “Hollywood” films so consider that these cost-saving ideas are scalable and can apply equally to micro-budget, no-budget or mega-budget films.

There were basically four points that were covered with regard to “How exactly did you save money in production?”

Ruben Fleischer explained that he came from a low budget background (the first point) and from music video production and that producing Zombieland was a make-break moment for his career. The low budget background enabled him to approach the process with that type of mentality. Being given a hard cost budget to make his film, he had to juggle every cost involved along the way.

To Fleischer’s credit, he assembled a first-rate crew, industry veterans who not only had the experience to get the best quality but who also were smart enough to be able to work within a variety of budgets. This was an area in which he didn’t skimp on the budget. As Maher Ahmad added, “It can cost you a lot more in the end if you ‘try to save a few dollars’ on your management’s salaries”. He mentioned that some advice from his dad that helped him and that was to not be the “smartest” guy on the production and so he hired people “smarter” than him. He also said, “You have one job and that is to choose”. There are many choices brought to you by members of your team and you choose. You are the filter.

During the Q & A portion of the panel, he was asked how did you balance “letting the creative people alone to do their jobs, while still maintaining your own creative vision for the movie?” He said that part of the professionalism of the heads of his crew was the fact that they all worked within his creative vision for the film. Working with good people will help any production save money.

Tax incentives were another point where they saved money. It is not only important to find a suitable location but it could also be to your advantage to research what tax incentives are available in that certain state. This shouldn’t be the only deciding factor but it can be considered. Zombieland was shot in Atlanta, GA. Another sub-point here, a “smaller” community can really be excited for you to film in their area. Fleischer said that they were able to film in the mansion in the movie at a very low price for that very reason.

The two other points were kind of combined together in the presentation and those were “knowing the movie” and “preparation”. Preparation included, storyboards, previz, production design, VFX (which included 747-matte enhancements and digital squibs), greenscreen driving, shooting smart and quick and digital filmmaking.

Michael Bonvillain shot the movie in HD on the Genesis camera. The Genesis camera was good w/low light and there was a huge savings in having footage immediately vs. film development costs. Short comings were that the DIT tech does takes time and pulls away from the focus of the shot, discussing options but overall the shooting is faster. Also, blowups are great vs. film, not as grainy when blowing up a portion of the frame for a shot.

Paul Linden described the various VFX processes and the use of digital squibs vs. practical squibs. The decision was made pretty early on to go with digital blood spatter, not only because of the sometime misfiring of real squibs (blood packs that explode out), causing wasted time in retakes, but also that they could create any effect they wanted. They showed some examples of how they were put in and also how they could shoot, say some zombie getting their head smashed with a shovel or some other large object and that they could just shoot it with a shortened handle and VFX in the end of the implement and the resultant harm.

While some things seem extraordinarily expensive, like the giant indian statue in one scene cost $10,000 to make, they explained that that was cheaper than some other alternatives. (I don’t know about that but okay!)

freeway scene

Also, 150 smashed cars were used in the film. It’s cheaper to buy already smashed and crashed cars and move them around as you want them then it is to smash up good cars!

All in all, Ruben Fleischer was proud to announce that they came in $2,300 under budget!

A mention was made that with the newer, lower cost acquisition tools that are available to anyone these days, that there is no reason that these points can be applied to filmmaking at any budget.

This was the focus of another panel, I also attended, The Twenty-First Century Camera Crew and How it Works. I will discuss that session in my next post.

The Monday Morning Buzz at NAB

April 12th, 2010

Good morning all. Today, will be my first day on the convention floor at NAB, starting with the keynote address which will feature a NAB Distinguished Service Award presentation to Michael J. Fox. (Pretty excited to see that!)

Already, I’ve been (last night) to the Adobe hotel suite where Adobe met with their re-sellers and showed them some of the new features in CS5 (VERY cool stuff to be announced publicly today, that’s all I say for now). I’ve also meet with about 30 people who will be at the MotionMedia Ball later tonight at an impromptu gathering at the Yard House. At that event, I had an interesting talk with both an attendee of the REDucation and a beta tester for the upcoming Media Composer 5 by Avid. (All I can say about that is that I want to get the new Avid now.)

So, with Avid and Adobe going full guns into making editing better and better, I’ve just got to say that at this point, Apple’s Final Cut Pro is looking like it’s just going to be a prosumer app in no time. We’ll see how the shootout goes at FCPUG Network’s Supermeet Tuesday night!

BTW, they still need a camera and shooter for the live stream of the SuperMeet. Hit me up on Twitter if you have a tripod and camera that can stream SD via firewire and want free admission and raffle tickets for Supermeet!

UK Filmmaker Uses Twitter and Paypal to Fund Independent Horror Film

April 3rd, 2010

Antony “AD” Lane has employed a truly 21st century method in fuding his latest project, Invasion of the Not Quite Dead.  He is using Twitter and Paypal.

Since May 2009, Lane has been on Twitter everyday promoting and pleading for people to help produce his film.

So far, he has raised over £19,005 (approx $29,000) from 550 “pre-order producers” from 19 countries.  His goal is to raise £100,000

Lane has employed a levels approach, where different levels of donations will get you a higher level of producer package.

There are packages as small as £10, a “Download Producer” and up to a £1000.00 “Profit Share Producer”.

According to his website, http://www.theindywoodproject.com, “The project has received an incredible amount of press which has included a BBC FOUR documentary, the front cover of REVENANT MAGAZINE, horror sites FANGORIA & DREAD CENTRAL & in May 2010 the teaser promo will be opening a star studded HIGH PROFILE event at hte LONDON IMAX.”

Top names have signed on to the project including, actors FRANK JAKEMAN (Breathe), LESLIE SIMPSON (Dog Soldiers, The Descent, Doomsday), TERRY STONE (Doghouse, Rise Of The Footsoldier), VICTORIA BROOM (Umbrage, Dead Cert), AJAY NAYYAR (24, NCIS), JAMES FISHER (Umbrage, Zombie Diaries) and the OFFICIAL LARA CROFT model Alison Carrol.

Perks of the different producer levels include signed BLU Rays, posters, t-shirts, spots in the film, producer credit on the film and digital photo zombie makeovers.

Lane can be found on http://Twitter.com/indywoodFILMS.

Currently Lane is running a 25% off producers packages promotion (offer ends April 12) to get the number of producers up.  Also by mentioning “Eric Harnden” in the notes of one’s paypal payment, it’s possible can help yours truly rise in producer status through the refer a friend special!

See http://www.theindywoodproject.com/promotion2/ for more details and to see the pre-trailer for the movie.